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News

Total number of news: 592
(in chronological order)


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09.10.2008

2008-10-09
Johnny Depp und Gore Verbinski arbeiten erneut zusammen
 
Das Traum-Team kehr zurck. Nach Fluch der Karibik arbeiten die beiden an einem neuen Animationsfilm zusammen.

Anscheinend war man mit der Zusammenarbeit zu den drei Fluch der Karibik-Teilen sehr zufrieden, denn Johnny Depp und Gore Verbinski, der in allen Teilen der Piraten-Saga Regie gefhrt hat, haben sich noch einmal zusammengefunden, um den Animationsfilm Rango zu realisieren.

Variety.com zufolge wird Johnny Depp seine Stimme der Hauptrolle leihen, einem Haustier, welches sich in einem Abenteuer auf der Suche nach seinem wahren Selbst befindet. Paramount will den Animationsfilm im Mrz 2011 rausbringen.

John Logan, der die Drehbcher zu vielen großen Filmen geschrieben hat wie Sweeney Todd (2007), The Aviator (2004) und Gladiator (2000), soll auch hier wieder ttig werden.

Gore Verbinski hat neben Rango auch die Verfilmung des Horror 3D-Edel-Shooters Bioshock in Planung. Wer die Filmmusik zum oben erwhnten Animationsfilm liefert ist noch nicht bekannt.

Rango wird voraussichtlich aber 2011 im Kino sein, whrend Bioshock 2010 bereits der Öffentlichkeit prsentiert wird.

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16:16, 2008-10-09
posted by Fabrice


07.10.2008

2008-10-07
Batman 3 mit Johnny Depp und Philip Seymour Hoffman?
 
Laut Aussage von Schauspieler Michael Caine – Bruce Waynes Butler Alfred in Batman – wird im kommenden dritten Teil der Batman-Reihe Schauspieler Johnny Depp und Philip Seymour Hoffman vor der Kamera stehen und die Gegenspieler von Batman sein.

Johnny Depp spielt den wahnsinnigen Riddler und Hoffman den Pinguin – zumindest laut Michael Caine in einem MTV Interview.

Komisch ist nur, dass Hoffman bei einem Interview folgendes preisgegeben hat:
Niemand habe ihn wegen der Rolle als Pinguin angesprochen und Regisseur Christopher Nolan habe er nie getroffen. «Um ehrlich zu sein, weiss ich nicht, ob ich ein guter Pinguin sein wrde.»

Ob das alles ein Gercht, Spekulation oder die Wahrheit ist? Wir haben keine Ahnung und mssen es wohl abwarten. Hoffen wir, dass wenigstens Johnny Depp als Rolle kein Gercht war...

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16:12, 2008-10-07
posted by Fabrice


05.10.2008

2008-10-05
Beverly Hills Cop 4 - Axel Foley is back!
 
Axel Foley alias Eddie Murphy ist zurck!

Regisseur Bratt Ratner (Rush Hour 1-3) bringt den humorvollen Action-Sprcheklopfer Axel Foley (Eddie Murphy) zurck auf die Leinwand.

Im Interview mit E! Online erklrte Brett Ratner, dass der Titelsong «Axel F» des deutschen Komponisten Harold Faltermeyer fr den kommenden vierten Teil der Beverly Hills Cop-Reihe neu eingespielt und wohl ein bisschen modifiziert wird.

Das vierte Abenteuer von Axel Foley soll 2010 in die Kinos kommen. In die Hauptrolle wird erneut Eddie Murphy schlpfen.

Wer genau die Filmmusik komponiert ist noch unklar.

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16:09, 2008-10-05
posted by Fabrice


04.10.2008

2008-10-04
The Dark Knight - Let The Blood Run Cold - Interview with Hans Zimmer and James Newton Howard on musicfromthemovies.com
 
© by musicfromthemovies.com, Rudy Koppl

By Rudy Koppl
What appears as a comic book action adventure extravaganza has been transformed into a sorrowful American tragedy by the brilliant Chris Nolan. You can hear it throughout the music with the anticipation created by Zimmer and Howard’s rhythmic string compositions and their collision of ideas that run throughout.



Like the simple theme for Batman, those two notes performed by a swelling brass section are carefully crafted eschewing any heroic fanfares as Zimmer explains, "I don't see Batman as a typical superhero, so I wanted to avoid anything 'super' in the music. I kept thinking about the Bat Symbol. It is the iconic representation of Batman, but at the same time, it is dark and unadorned." "Batman is a very complex character," Howard adds. "We're still getting to know him, so to try and attach a musical theme to him that defines him in any way would be misleading." This is their continuing journey carefully underscoring a myriad of emotions and complex relationships with a delicate touch. No matter how simple Zimmer and Howard make it seem, when their writing intertwines a completely new animal is born. Whether written together or apart, the torn ambience between the composing relationships create a third space which solidifies the score. This is the most interesting part that takes us into a thriving black hole of personalities, characters, conflict, and the need to overcome evil.

The Dark Knight is a magnificent accomplishment in filmmaking. Many of the comic book films out there, like the Spider-man series, Iron Man, The Incredible Hulk, and many more, use special effects (CGI) that give the viewer the impression that they’re watching a video game and not a film. The look of Nolan’s film is quite different, using IMAX as the tool that gives us breathless scenes from vast cityscapes, the director makes his film look realistic by shooting on location (Chicago),using amazing stunts, and live special effects as the root of his visuals. “I’ve always wanted to use IMAX,” admits Nolan as he continues, “It’s the worlds highest resolution format.” This mixed with a fantastic story, superb script, great acting, and an excellent score, makes this film the best one of the summer. It’s clever manipulation of walking the fine line of breeding horror with the comic book genre subconsciously. Characters like The Joker and Two Face are terrifying with a flipside to their humanity. It’s what the director makes you think, not necessarily see, that propels the drama. “To me, it takes me back to when I was a kid going to movies,” remembers Chris. Like in the film’s opening sequence, The Joker sticks a grenade in a bank manager’s mouth, wires it to the back of a school bus, and then merrily drives off in the bus letting us think the inevitable. Instead of seeing the bank manager’s head blow up, it’s the inference of thought that takes on an effective blow to the psyche. Just like in The Prestige, deception is the order of the day. Nolan’s constantly asking the question, “Who can you trust?” or “Who is the next victim?” It’s imbedded in an ‘in your face character’ like The Joker. Ledger’s last role is so powerful it’s too good for an Academy Award. It’s not Heath’s villainy; it’s the drama, his terrifying stories of mommy and daddy, his motive, not the money, but playing the game and having the fun of his life while destroying everyone else. It’s that gliding pitched effect from Hans that we hear frequently when the tension around The Joker is reaching unbearable levels; a performance that blurs the lines between reality and fantasy as Ledger actually becomes The Joker. This is where filmmaking ends and a lifetime begins.


It was Friday May 30th, a perfectly spl... read more

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15:34, 2008-10-04
posted by Fabrice



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recent, current or next Projects / vergangene, aktuelle oder kommende Projekte



Batman 3 - The Dark Knight Rises
Music by Hans Zimmer
   
     


Cowboys & Aliens
Music by Harry Gregson-Williams


Ice Age 4: Continental Drift
Music by John Powell


Gridlock
Music by Hans Zimmer
     


Kung Fu Panda 2
Music by Hans Zimmer & John Powell


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Music by Steve Jablonsky


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Music by Hans Zimmer
     


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Music by Ramin Djawadi


Game of Thrones
Music by Ramin Djawadi


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Crysis 2
Music by Hans Zimmer, Lorne Balfe and Steven Kofsky


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Music by Rupert Gregson-Williams


Sherlock Holmes 2: A Game of Shadows
Music by Hans Zimmer
     


Gears of War 3
Music by Steve Jablonsky


Winnie the Pooh
Music by Henry Jackman


The Zookeeper
Music by Rupert Gregson-Williams
     


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Music by Hans Zimmer


The Smurfs (Die Schlümpfe)
Music by John Powell


Your Highness
Music by Steve Jablonsky
     


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Music by Steve Jablonsky


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Music by Steve Jablonsky


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Music by Rupert Gregson-Williams
     


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Music by John Powell


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Music by Trevor Rabin


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Music by John Powell
     


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Music by Geoff Zanelli


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Présumé coupable
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Music by Mark Mancina


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Music by Trevor Rabin


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Music by Harry Gregson-Williams
     


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Music by Mark Mancina
     


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Music by Steve Jablonsky


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Music by John Powell
     


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The Dilemma
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Unstoppable
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Prince of Persia: The Sands of Time

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Music by Harry Gregson-Williams


Red Dawn
Music by Ramin Djawadi


The Town
Music by Harry Gregson-Williams
     


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Ein Haus voller Töchter
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Inception

Inception
Music by Hans Zimmer


Megamind
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A Nightmare on Elm Street

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Hotel Transylvania
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Fright Night
Music by Ramin Djawadi
     
HBO's ten-part mini-series THE PACIFIC with Hans Zimmer and Geoff Zanelli

HBO's ten-part mini-series THE PACIFIC
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Produced by Steven Spielberg & Tom Hanks
(Band of Brothers)
Call of Duty Modern Warfare 2

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How to Train A Dragon - Drachenzhmen leicht gemacht

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Music by Harry Gregson-Williams
     


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bout portant
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Entre lobos
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Music by Klaus Badelt
     
L'immortel - un film de Richard Berry, composé par Klaus Badelt

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Despicable Me

Despicable Me
Music by Hans Zimmer
Solomon Kane

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Music by Ramin Djawadi
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Music by Steve Jablonsky
     
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Robin Hood
Music by Marc Streitenfeld
     
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Green Zone
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Around the World in 50 Years 3D

Around the World in 50 Years 3D
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Transformers 2: Revenge of the Fallen
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Ice Age: Dawn of the Dinosaurs
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Race to Witch Mountain
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The Taking of Pelham 123
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Music by Hans Zimmer
     


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Music by Hans Zimmer


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Music by Hans Zimmer


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and Heitor Pereira


Transformers 2: Revenge of the Fallen
Music by Steve Jablonsky
     


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Music by Steve Jablonsky


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Music by Steve Jablonsky


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Music by Steve Jablonsky
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Music by Harry Gregson-Williams
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Music by Steve Jablonsky
     
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Music by Mark Mancina
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Music by Ramin Djawadi
     


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Music by Klaus Badelt


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