|Batman Score, Frost/Nixon, Concert Tour Keep
|By Michael White
Oscar-winning composer Hans Zimmer was struggling to find the right music to represent the Joker in Â«The Dark KnightÂ», the new Batman movie scheduled for release this summer.
Zimmer, who wrote the scores for Â«The Lion KingÂ», Â«GladiatorÂ» and more than 100 other films, had already composed a two-note signature for the fiendish character, played by the late Heath Ledger. But he wanted to expand that sound to symbolize the Joker's penchant for anarchy.
Film composer Hans Zimmer poses at his studio in Santa Monica, California, on Feb. 15, 2008. Photographer: Jamie Rector/Bloomberg News
Â«I've been sitting here all night trying to find out what else to do with those two notesÂ», Zimmer said during an interview last month at his Santa Monica, California, studio.
Zimmer, who collaborated on the score with James Newton Howard, said Ledger's death from an accidental drug overdose in January wouldn't change his musical approach to the Joker. The composer said the best tribute would be an accurate reflection of Ledger's portrayal.
Â«The worst thing I can do is stray from that course and not be rigorous about his performanceÂ», the tall, balding composer said in a German accent that reflects his native country.
Zimmer, 50, is having a busy year. He recently completed the score for Ron Howard's Â«Frost/NixonÂ», about former President Richard Nixon's interviews with David Frost, and he's also working on two animated comedies, Â«Kung Fu PandaÂ» and Â«Madagascar: The Crate Escape.Â»
When Zimmer wraps up his movie work, he'll start preparing for a worldwide concert tour, his first full-length performances in eight years.
Â«You have to risk everything from time to timeÂ», he said. Â«The death of creativity is getting set in your ways.Â»
Zimmer, a self-taught musician who grew up in Frankfurt, moved to London in the late 1970s and played with Buggles, a pop band whose Â«Video Killed the Radio StarÂ» was the first music video shown on MTV.
But Zimmer always wanted to be a film composer. After leaving the band, he worked as an understudy to Â«The Deer HunterÂ» composer Stanley Myers. He got his big break in 1988, when was hired to score Â«Rain ManÂ», which earned him the first of seven Oscar nominations.
Zimmer composes at a console in a large, den-like studio at Remote Control Productions, just a few blocks from the Pacific Ocean. The walls are covered with wine-colored paper and lined with bookshelves, film artifacts and musical instruments, including Japanese armor from Â«The Last SamauraiÂ» and a Moog synthesizer, a 1970s-era instrument that Zimmer uses occasionally to create orchestra sounds.
Zimmer, who lives in Los Angeles with his wife and four children, built the studio so he would have a comfortable place to compose. There's a fireplace in one corner and candles burn at his desk, which features five large computer screens and a custom-made keyboard. One screen records notes as he composes. On the others, he can look at film footage or convert his composition into sheet music.
Remote Control includes smaller studios rented to other composers and musicians, including frequent Zimmer collaborators such as Brazilian guitarist Heitor Pereira.
Film composer Hans Zimmer plays the piano at his studio in Santa Monica, California, on Feb. 15, 2008. Photographer: Jamie Rector/Bloomberg News
Zimmer's parents introduced him to Beethoven, Mozart and Bach at an early age, but he bridled at formal lessons, preferring to work alone at the piano.
Wagner was considered Â«kitschÂ» in the Zimmer household.
Â«I came from one of those German families that was very snobbish and structuredÂ», Zimmer said. Â«Wagner, Liszt were completely out.Â»
As an adult, Zimmer grew to admire Wagner's music. Â«SiegfriedÂ», one of Wagner's four Â«RingÂ» operas, became an inspiration for the Â«GladiatorÂ» score Zimmer wrote with Australian singer-composer Lisa Gerrard.
Â«He was a great film composer, he just didn't know itÂ», Zimmer said. Â«There's a sense of fate in his music that lends itself very well to what we do in film.Â»
Zimmer said he likes collaborations that bring both composers into the studio to write and discuss the music. He invited Gerrard to work on Â«GladiatorÂ» after hearing her work with the band Dead Can Dance. She also sings two tracks, Â«ElysiumÂ» and Â«Now We Are Free.Â»
His collaboration with Howard on Â«The Dark KnightÂ» followed the pattern set with Â«Batman BeginsÂ», spending hours together in the studio writing the score.
Â«It was like four-handed piano. There wasn't a single bit we didn't influence each other onÂ», Zimmer said. Â«By the end, it became fairly unclear who came up with what, which was nice.Â»
Â«Thin Red LineÂ»
Zimmer rarely reads scripts, preferring to discuss a film's story line with the director and visiting the set when possible. Director Terrence Malick took an office at Remote Control when Zimmer was writing the score for his World War II drama Â«The Thin Red Line.Â»
Â«He felt comfortable around people who were making thingsÂ», Zimmer said.
Gerrard may join Zimmer on his worldwide tour next year. In the meantime, he's trying to pare down a preliminary set list that contains eight hours of music.
Â«I've done more than 100 moviesÂ», Zimmer said. Â«I should be able to find some pieces that are enjoyable to play and listen to.Â»
To contact the reporter on this story: Michael White in Los Angeles at Mwhite8@bloomberg.net.
Last Updated: March 31, 2008 00:01 EDT
posted by Fabrice
|Written comments to this news|
|Anthony | 18.02.2013 | 05:35 | USAAnthonyU|
|I loved your music in The Simpsons!|
|SizovMS | 17.08.2012 | 14:04 | Russia|
|Your music is what force me to live sometimes. The inspiration, courage, will, strength, everything of that i can find in your tracks. Thank you so much!|
|huy ousa | 17.08.2012 | 10:09 | phnom penh, cambodia|
I love your music compose style that are great. i never know your face ever seen on music tracks now i can see you and i proud your talent. in cambodia iÂ´m sound editor so i always like your all music. if possible i want your signature to take. anyways could i keep you a god in music.
|IvR | 07.06.2012 | 17:32 | |
|We thank you for giving us the "air of this beautiful music"|
|JOHN BRITTO | 27.05.2012 | 11:54 | INDIA|
|AM DOING LOTS OF RESEARCH OF YOUR MOVIES.
EVERY DAY AM HEARING "ANGELS AND DEMONS" OST
I WANT TO WORK WITH YOU
|Will | 16.01.2012 | 11:02 | |
I have built a software sampler based on a 1776 Johannes Pohlman square piano, recorded at a local museum. It is currently in a Reason/Refill format and I was wondering if you would be interested in a copy. You can let me know by emailing me, if you want a copy I can send it to you. My email address is firstname.lastname@example.org.
|Witzwald | 05.09.2011 | 19:08 | |
|Thanks to God for the talent who was born in you.|
|UApasha | 22.08.2011 | 14:37 | Ukraine|
|I from Ukraine and I think its super puper mega ultra cool music|
|xemxi | 25.03.2011 | 10:32 | Malta|
|Hans... your music is simply AUSOME!!|
|Steven | 13.02.2011 | 14:03 | Munich|
|You touch my heart and my deep inside
|sanka | 30.01.2011 | 04:20 | Sri Lanka|
|I have no words to express about mellifluous of your musics. thank you millions times for endowing such a great musics for us|
|Fabrice | 26.04.2010 | 16:23 | Switzerland|
|Nice to know, and now? We are just a fansite and not the official website from Hans. But if you could insert and publish our website hans-zimmer.ch everywhere, we wouldnÂ´t say NO.|
|Mehdi | 26.04.2010 | 16:10 | USA|
|I am doing a research paper about Hans. |
|kaydee mahesh | 22.03.2010 | 12:34 | sri lanka|
|you are great sir !!!|
|LIGHT | 16.12.2009 | 16:58 | Los Angeles|
|WE love Hans!
|JOHNBRITTO | 03.06.2009 | 23:41 | INDIA|
|U R MY SOURCE OF INSPIRATION..
|JOHN BRITTO | 03.06.2009 | 23:35 | INDIA|
|HE IS THE MAN... U R GREAT.. I LOVE U SO MUCH...|
|Kenanborg1435 | 25.05.2009 | 23:16 | Greenland|
|Man, this guy is awsome!
|chris dudding | 12.01.2009 | 16:50 | usa|
|u rock man! ur like my idol. |
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